So I want to just take a moment here and go through the film and outline by biggest issues. If nothing else, it will be cathartic for me. And if anyone ever feels like rebutting me on it, be my guest. I would love for somebody to explain to me what I'm missing here.
Yes, there are spoilers. Just keep in mind I'm going to be doing this by memory based on a single viewing so there may be some errors. Sorry.
The basic plot is this: Merida, fiery princess extraordinaire, has issues with her mom, Elinor. Elinor wants Merida to get married off to one of three really sucky boys from three other clans because it's tradition. So Merida runs away and strikes a deal with a witch to get a magic cake intended to "change" her mother, but (plot twist!) it turns her mom into a bear. Cue shenanigans as she has to hide her mother from her bear-hunter father and break the curse. Eventually she does, her mom understands that she doesn't want to get married, and the family lives happily ever after.
One of the major flaws with the whole arc is that Merida, the main character, undergoes absolutely no character development for the whole movie. Her mother Elinor is set up as the one source of unhappiness in Merida's whole life, and the film takes Merida's side from the first scene until the very end. Everyone else just has to conform to what she wants; it doesn't make for a very compelling character.
That's not to say there are no consequences at all for Merida's mistakes. Merida's mom gets turned into a bear. But that gets reversed by the end of the film. And the fact that her mom gets turned into a bear isn't really a consequence of trying to break tradition, which was her original intention and motivation. It's a consequence of Merida making a bad deal with a witch. See, Merida shows up at the witch's cottage and sees that it's full of wooden bear carvings. The witch wants to sell her carvings, and Merida wants a spell. So Merida agrees to buy every single wood carving, and gives the witch a shiny silver medallion in exchange--the camera closes up on it to show us how important it is, though we haven't yet seen it in the film. The witch agrees enthusiastically and takes the silver piece, promising to deliver the carvings in a fortnight. Merida returns with a spell-infused cake and when her mom turns into a bear Merida feels mostly like she was tricked by the witch; it wasn't that she tried to break tradition, just that her particularly strategy to do so was flawed.
(The witch doesn't make another physical appearance in the film after this. The medallion Merida gave away is never mentioned. The carvings are never delivered or mentioned again, either. So many plot details and backstory elements like this seem to just exist in a black hole; like it was all made up as they went, and they never went back over it to see if anything connected. Everything's left unresolved, or if something is resolved it's resolved unenthusiastically like the filmmakers didn't even really care how it went.)
Her mom's argument for why it's essential that Merida gets married is this old fable about the last time somebody broke tradition. See, there used to be 4 clans, but then one brother wanted to be the king of the others so he broke tradition and tried to take over them. There was lots of warring, and he vanished, and they decided never to break tradition ever again (I guess). We get the sense that the alliance between the clans is still unstable today, since they constantly bicker and fight from the moment they enter the film. So it's reasonable that Merida should conform to tradition to maintain their tenuous peace. But once she does leave, we never see any consequences for it. Actually, Merida comes back and gives the clanspeople an impassioned speech where she tells them about all the good times when they were friends, and they make up and become friends forever after that. Brilliant. First of all, we never even see the clans being friendly before this; we're just told about it. So conveyance is more or less thrown out the window. Secondly, there were never any consequences for trying to break tradition; the film proves that Merida ws pretty much right all along, and everyone then agrees that she was right all along. Which brings us to thirdly; suddenly the film's lost it's whole point. The whole premise was based on how Merida resisted breaking tradition and had to face the consequences for it, and once everyone (including her mom!) admits she was right all along and all consequences are waived the original drive of the movie is sort of vaporized. And it's not even in the third act of the movie.
So, what DOES happen in the third act? Well, Merida's dad discovers her mom is a bear and hunts her down into the forest. Merida gives chase and while trying to defend her mom from her dad, a big bear shows up!! It's a bear who showed up in the first scene and again in the middle, and we had found out that he was actually the one brother from the fable who tried to take over the other brothers, who also got turned into a bear by the witch! You may notice that I didn't have cause to mention him until now, and that would be because he wasn't really tied into the film's central conflict at all. He was more like this bear that just showed up once in a while. Actually, that's exactly what he was. Putting a fight against him here in the climax of the movie seems to suggest that he was supposed to be the main villain, which is really lame when literally his only reason for ever being around is that he just happened to wander by. Defeating him resolves absolutely nothing, except that there is one less bear in the forest.
Want to guess how they beat him? Merida is a super great archer and that was played up a lot in the trailer, so she probably gets to use that, right? Nope! She only makes effective use of her archery once in the whole movie, and it's actually the best scene in the whole movie, and whoops Pixar already uploaded it to YouTube themselves so I guess there's no reason to go see it now huh. Merida's dad has a long standing grudge with the bear and talks incessantly about taking his revenge, but nope, he is completely uninvolved with its demise. This could have been a great time to do that whole thing where the clanspeople all realize that they should work together, and join against the bear, showing their newfound companionship! But, no, that was already resolved a long time ago, so everyone just stands around and watches during the final boss battle.
Merida's mom kills the bear by pushing a rock onto it. Not just any rock, but one of these stonehedge rocks, which before seemed to have some kind of relationship with the whole theme of changing fate or somethingoranother. It's kind of confusing, thematically. And then we see the spirit of the brother above the bear, and he gives Merida this nod that's a mix between solemn and thankful, and then disappears. It's thus confirmed that at no point in this film did true, intentional antagonism take place; just a nice dude trapped in the body of a wild bear acting on whim, and bickering clanspeople who temporarily forgot that they were actually friends the whole time.
This is already starting to drag on in the writing, and I didn't even start on how everything was heavily telegraphed and predictable, or the comedy relief triplet brother who ALSO were turned into bears but everyone expressed far far less concern for than the mom (at the end Merida is crying on her mom's shoulder, under the impression that she has just become a bear forever. Her three brothers, also apparently bears forever, watch this scene from the sidelines uncomforted). I didn't mention how the mom was constantly knocking things over as a bear and that didn't stop being used as a cheap gag; I didn't mention the INCREDIBLY CHEESY montages set over SICKENIINGLY CHEESY female vocal tracks while Merida rides around on her pony.
And what about all that talk about changing her fate? It actually just sounds like gibberish whenever she talks about how you change fate or how how she wants to change her fate and all of that. Who actually says they want to "change my fate" like that's an actual, concrete thing that people do? It's not even something that comes up anywhere else--Merida's parents never refer to her plight as having to do with her fate or anything. Merida just decides that for herself at some point midway in the film, and it seems to become a theme only through annoying repetition in Merida's dialogue as opposed to actually materializing in any meaningful way during the film.
There's just too many issues to cover in this format!
The whole film in essence felt like a first draft. There was way too much extra stuff and nothing was made to connect or make sense as it built up. And it really freaks me out that nobody cares, or maybe nobody notices. Pixar was making truly good movies, like, two years ago! Then they dumped Cars 2 on us last year and now they've dumped this and they're probably going to keep making buttloads of cash off of it and never look back. Seriously, don't see Brave. It's a very pretty film and I'm sure it seems very alluring but that's all it is; there's no depth here, no thought.
6 comments:
You didn't watch very carefully, sorry to say. Merida did undergo a character change when she sneaks her mother back into the castle and has to give what turns into a very touching speech to all the hooligans. The medallion is an exact replica of a carving you see in stone prior to her showing it to the witch (although I agree it isn't explained very well). And if you watch to the very end, after the credits, you DO see the wood carvings being delivered to the castle. That's pretty funny, actually.
You need to remember, banov, that this movie was meant for children, so the simplicity of the movie and characters is to be expected.
I thought it was a good movie, worth watching.. but definitely not the best of all time or anything and was probably hyped up a bit.
Banov, you basically hit all the things I didn't like about the movie too. People say that it's a "kid's movie" but I think it's fair to hold Pixar up to higher standards, especially with their masterpiece "kid's movies" like Wall-E and Up and the Toy Story franchise. The movie left all the wrong plot points hanging while being really predictable. Kinda weird really. (Why was her archery totally useless? What a waste.)
So congrats, someone on the internet agrees with you. :)
Having seen the movie after reading this review, I agree that the movie's plot was pretty rough around the edges, and you definitely have a lot of valid points here. However, it seems you missed the intent of the movie: the message wasn't supposed to be "follow tradition or else", but "if something doesn't work out for you then don't just complain -- do something about it and find a better solution." It was subtle/poorly conveyed, but looking back it definitely seems like that's what they were aiming for.
Merida's character arc was supposed to be along the lines of her becoming responsible and dealing with her problems instead of avoiding them - during the first act of the movie you see Merida complaining about her responsibilites as a princess and trying to avoid them, then the second act is her dealing with the consequences of her decisions and the third and final act is her finally owning up and solving the problems at the source of her troubles, the ones that she previously tried to sidestep.
In the beginning, she just selfishly rebelled against the whole "tradition" issue rather than try to find a better alternative; she didn't care about the ramifications, she just wanted out of the marriage, and her attempt to get out of it by "winning her own hand" certainly did nothing to ease tensions between the clans. After the argument with Elinor, she ran off into the forest and got someone else -- the witch -- to make everything better for her; In that scene, notice how she specifically says stuff like "I want something to change my mother so I can change my fate." Not "something that will help me change my fate", but "something to change my mother." And when she gives Elinor the cursed cake, she expects it to just make her mother agree with her and call off the marriage for her.
When Merida and Elinor finally return to the castle at the end of the second act and see the clans fighting, Merida begins to see the results of her running away from the marriage. That impassioned speech she gives to the various clansmembers was her finally facing the consequences of her actions and trying to fix things herself - she appeared resigned to being a princess and getting married, and she was genuinely surprised when her mother encouraged her to take another option.
Lastly, the spell only lifts when Merida finally swallows her pride, owns up and accepts the blame for Elinor's and her brothers' transformations rather than accusing the witch like she did at first. When she puts the mended tapestry on and it doesn't seem to work, Merida finally apologizes to her mother and says "it's my fault", and at that moment they finally change back.
So, yeah, it wasn't very clear at first glance, but the movie had a bit more depth than you gave it credit for. Ultimately, though, it's not the intent of the work that matters but what the viewer takes away from it, so in that regard Pixar did still do a pretty poor job. And I agree that "because it's a kid's movie" is no excuse for them not doing their best to meet the standards they've set for themselves. Even so, I enjoyed the movie despite its many faults, something I can't really say for Cars 2. I'd like to think Brave is a sign that Pixar is recovering from that fiasco.
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